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He Is The Joy (Rocco Underground Mix) =LINK=

Shortly thereafter, Eastman settled in New York City, where he initially straddled the divide between the conventionally bifurcated "uptown" and downtown music scenes. Eastman often wrote his music following what he called an "organic" principle. Each new section of a work contained all the information from previous sections, though sometimes "the information is taken out at a gradual and logical rate." The principle is most evident in his three works for four pianos, Evil Nigger, Crazy Nigger, and Gay Guerrilla, all from around 1979. The last of these appropriates Martin Luther's hymn, "A Mighty Fortress Is Our God," as a gay manifesto.[4] In 1976, Eastman participated in a performance of Eight Songs for a Mad King conducted by Pierre Boulez at Lincoln Center. He served as the first male vocalist in Meredith Monk's ensemble, as documented on her influential album Dolmen Music (1981). He fostered a strong kinship and collaboration with Arthur Russell, conducting nearly all of his orchestral recordings (compiled as First Thought Best Thought [Audika Records, 2006]) and participating (as organist and vocalist) in the recording of 24-24 Music (1982; released under the imprimatur of Dinosaur L), a controversial disco-influenced composition that included the underground dance hits "Go Bang!" and "In the Cornbelt"; both featured Eastman's trademark bravado.

He Is The Joy (Rocco Underground Mix)




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